Posts Tagged verse

‘My life-achievement’ – karnama e hayat

17 February 2010

What great lines

Mera karnama-e-zindagi
Meri hasraton kay siwa nahi
Yeh kiya nahi, woh hua nahi
Yeh mila nahi, woh raha nahi

The achievement of my life is nothing
But things that could not be done
I could not do it, [or] ‘that did not happen’
Did not get that and what I got, did not stay with me

On the bank of the river

16 February 2010
On the bank of the river,
water is grudged by that one alone
who is blind to the flowing stream.
~~~~~~~~~~
Bar lab-e ju bokhl-e âb ân-râ bovad
ku ze ju-ye âb nâ-binâ bovad
– Mathnawi II:894
Version by Camille and Kabir Helminski
“Rumi: Daylight”
Threshold Books, 1994
Persian transliteration courtesy of Yahyá Monastra

On the bank of the river,water is grudged by that one alonewho is blind to the flowing stream.
~~~~~~~~~~
Bar lab-e ju bokhl-e âb ân-râ bovadku ze ju-ye âb nâ-binâ bovad
– Mathnawi II:894Version by Camille and Kabir Helminski”Rumi: Daylight”Threshold Books, 1994Persian transliteration courtesy of Yahyá Monastra

Mazhub – a voice for peaceful South Asia

14 February 2010

In 2006, I read this brilliant poem by Brijinder”Sagar (found here on Adnan’s brilliant site). I had kept it with me for an adequate translation. I have been unable to do justice and therefore I will rework my draft to post here. In the meantime, this poem will be accessible to Urdu-Hindustani speakers. This poem is about bigotry and extremism in the name of religion that has overtaken India as well as other South Asian countries. Pakistan is no exception and Bangladesh is also witnessing the rise of Islamism, though not as alarming as India and Pakistan. Sri Lanka has also seen ethnic warfare, different in its manifestation but akin to the violence and death that comes in its wake. In such a charged environment, voices for peace are delightful.

Mazhub
Har haath main mazhub kay parcham
Har aaNkh main wehshat ka junooN
Lub pay haiN nafratoN kay sholay
KhyaaloN pay ik aawaaraa fusooN
Ik zehar ka baadal fazaa pay chaayaa hai
Khumaar-e-ghaphlat phir zehanoN pay aayaa hai
Har nighaah main bus ik swaal ki bu
Hindu ki aulaad hai ya muslim hai tu
Tarak subnay kiyay viraasat kay khazaanay
Woh Nanak ki wehdat Kabir kay taraanay
KahiN talwaaraiN to kahiN trishool aayaay
SadioN ki pehchaanaiN sub bhool aayaay
Bhai ko bhai kay qatl ki pyaas
NamooN har samt yahi ghurbat-e-ahsaas
Lahu phir apnay hi lahu say laraa hai
Waqt phir sehmaa saa ik aur ja kharaa hai
Abhi to bhray bhi na thay Zakhm tam_ddun kay
Abhi to bhoolay bhi na thay woh aleel ayaam
DariNda insaaN main uthaa tha yeh abhi kal ki baat hai
Aadam khud bika tha yeh abhi kal ki baat hai
Aur aaj phir utraa hai afreet-e-wehshat
Aur phir say lagaayay hai chehraa mazhub ka
Phir say hai hujoomoN pay ik shauq-e-bekaar
Phir say banaa mazhub bahaanaa nafrat ka
Kab talak paighaMbar yooN neelaam karogay?
Kab talak latkaingay masihay saleeb-e-yaas par?
Kab talak pinhaaN insaaN qattl hogaa?
Kab talak pashymaaN karogay apnaa wazood?
Kab talak? (more…)

Ghalib: Heart is a Mirror and Mirror a Heart

27 May 2009

Ghalib: Heart is a Mirror and Mirror a Heart

I am absolutely mesmerised by this post and the verse that I only read after ten years at Mehr-i-Niimroz blog. Am just too tempted to cross post it here.

az mihr taa bah-;zarrah dil-o-dil hai aa))inah
:tuu:tii ko shash jihat se muqaabil hai aa))inah

1) from sun to sand-grain– heart; and heart is a mirror
2) {from / by means of} the six directions, a mirror confronts the parrot

Translation and commentary on Desertful of Roses. Parallel commentary on The South Asian Idea. (more…)

Cast the paradise into hell…(Ghalib)

25 May 2009

Courtesy mehr-i-niimroz, I found one of my favourite verses from Ghalib

taa((at me;N taa rahe nah mai-o-angabii;N kii laag
doza;x me;N ;Daal do ko))ii le kar bihisht ko

1) so that, in obedience/worship, the attachment/desire of wine and honey does not remain
2) take Paradise, and cast it into Hell

Commentary here

powerless is the prayer…

26 October 2008
A friend sent me these verses; luckily he translated the first verse of the ghazal
Is na’ay daur ki na’i charagari tou deykhi-ye
Bay asari dua kay sath, dard dawa kay saath hai
(Behold the beneficience of this age modern
powerless is the prayer, painful its medication)
Jo miri riyazat-i-neem shab ko Saleem subh na mil saki
Tou is kay ma’nay tou ye hu’ay yahan khuda koi aur hai

Sab Thath pada reh jaye ga…(When the gypsy-headman leaves)

18 August 2008

These pithy Urdu verses by Nazeer Akbarabadi lament that all will be abandoned when the Banjara (gypsy), the headman or Naik in the folklore, [or at a general level the life-traveller] will leave his temporal abode. (more…)

A Few Words on the Soul

6 April 2008

Thanks to my friend Fawad, I have been introduced to the fine poetry of , Wislawa Szymborska (b. 1923) also the 1996 Polish Nobel Laureate.

A Few Words on the Soul

We have a soul at times.

No one’s got it non-stop,

for keeps.

Day after day,

year after year

may pass without it.

Sometimes

it will settle for awhile

only in childhood’s fears and raptures

Sometimes only in astonishment

that we are old.

It rarely lends a hand

in uphill tasks,

like moving furniture,

or lifting luggage,

or going miles in shoes that pinch.

It usually steps out

whenever meat needs chopping

or forms have to be filled.

For every thousand conversations

it participates in one,

if even that,

since it prefers silence.

Just when our body goes from ache to pain,

it slips off-duty.

It’s picky,

it doesn’t like seeing us in crowds.

our hustling for a dubious advantage

and creaky machinations make it sick.

Joy and sorrow

aren’t two different feelings for it.

It attends us

only when the two are joined.

We can count on it

when we’re sure of nothing

and curious about everything.

Among the material objects

it favors clocks with pendulums

and mirrors, which keep on working

even when no one is looking.

It won’t say where it comes from

or when it’s taking off again,

though it’s clearly expecting such questions.

We need it

but apparently

it needs us

for some reason too.

(Translated from the Polish by Stanislaw Baranczak and Clare Cavanagh)