Posts Tagged Sindhi

Raza Rumi  wonders why we remain in search of a Pakistani identity

Half-truths are what we love to indulge in. One of the countless crimes committed by President Asif Ali Zardari is that he wears a Sindhi cap instead of a Jinnah cap. That by preferring a Sindhi topi and thundering at the occasion of late Benazir Bhutto’s death anniversary, he undermined his Pakistani identity, is truly mystifying. After all, what is a Pakistani identity and why is the Jinnah cap being elevated to the level of an article of national faith?

If anything, Mr Jinnah’s patronage of Muslim identity mark was an afterthought. His usual attire was a well-tailored pucca-sahib-like suit. It was only in the nineteen forties and that too close to India’s independence that Mr Jinnah started donning the Muslim nobility’s attire.

So what is this fuss all about? Constructing Pakistan’s ideology based on theological interpretation of a universal religion like Islam has been a carefully executed project of the Pakistani establishment and its shadows in the non-state domains. Such cliques have grown bigger, mushroomed and are now essential to our lived reality. Therefore lambasting of Zardari on not sporting a Jinnah cap finds public resonance and broad acceptability within the populous Punjab province where the Urdu press flourishes and finds readers and writers aplenty. (more…)

I am posting the synopsis of my paper entitled Silhouetted Silences – contemporary Pakistani literature in the ‘age of terror’, that I presented at the SAARC writers’ festival held in Agra, India (March 13-17, 2009). The full paper needs to be edited and referenced so that will posted a little later.

Round my neck,
from time to time, there was the hallucination
of a noose, and now and then, the weight
of chains binding my feet.
Then one fine day
love came to drag me, bound and manacled,
into the same cavalcade as the others (Faiz)

Since the invasion of Afghanistan by the United States and the global hysteria about ‘terror’ and ‘terrorism’, Pakistan has faced the greatest of existential challenges after its dismemberment in 1971. As a frontline ally of the US in the war on terror, Pakistani society and polity have been engulfed by growing militancy and acts of violence commonly branded as terrorism. Whilst there is no single definition of ‘terrorism’, the mainstream media and policymakers – in the service of imperial rhetoric aimed to justify and perpetuate the occupations of Afghanistan and Iraq – have established terrorism as the major threat to domestic and regional peace in South Asia. Acts of premeditated and organised violence in India, Pakistan and Bangladesh have thus assumed a central place in discourse on regional cooperation or its converse: the rivalries between the constructed nation states and their irresponsible power-elites.

In this milieu, the South Asian citizens have been the victims of violence, uncertainty and acrimonies that have only led to exacerbation of poverty, inequality, ascendancy of militarism and war-mantra. All of this is taking place when globalization is relentlessly seeping into domestic economies, cultures and social systems. Where does this leave the writers and poets of the region who grapple with the complex, confusing and fast changing social and political realities? Whilst the community of South Asian writers – traditionally the forbearers of intellectual and political movements – is beleaguered by corporate media industry, it has struggled to respond to challenges that events have created. (more…)

Contribution by Naveed Siraj

The Risalo of Shah Latif is divided into chapters called Surs which are composed on the lines of musical notes. Each sur is based on symbols taken from stories which are part of Sindhi folklore. Sur Kamod in the Risalo of Shah Latif is based on the love story of Noori Jam-Tamachee:

Noori Jam-Tamachee

King Jam Tamachi was a Samo ruler of lower Sind at the end of the 14th century A.D. While on a shooting expedition, he chanced to see a fisher girl named Noori, falling madly in love with her and offered to married her, his love for her blind to the social disparity between them.

When they returned back to his capital, he was made aware of the general disapproval of this match. He merely observed that the detractors did not know her as much as he did. In order to display her character and appease the cynics, one day, he announced to his queens, that he would take one of them for a ride on an outing. (more…)