Jahane Rumi In search of the unsearchable: O, my soul! where would you find your house?

Qasmi, literary feuds and national neglect

While responding to the comments on my ATP post on Ahmed Nadeem Qasmi , I rambled a little on the literary feuds among the Urdu stalwarts. However, this post has two parts: first, a little more on the literary cross currents; and second our collective treatment of literary and cultural giants.

As Adil Najam pointed out in his comment, Qasmi was criticized by those on the left as being right wing. Interestingly, the conservatives also criticized him for his outspoken views on the abuse of religion and Zia's dictatorship.

But Qasmi remained a humanist till his last and never allowed ideology to taint his creativity. This aspect of his long literary career has been astutely analyzed by Sarwat Ali has rightly titled him Un-Progressively Progressive in his obituary published in the News on Sunday, and he aptly describes the Qasmi predicament:

When Pakistan was created the question of the identity of the new nation became the trickiest one to handle, especially in its cultural context. Muhammad Hasan Askari took the issue by the horns and called for a specific entity known as Pakistani literature. Of course, this prescriptive drive was not received well in the camp of the artists and writers. On the other extreme were those who did not see the need of manufacturing a specific identity but liked to see it grow and evolve with an evolving sensibility. This was taken as denial by the more hardline writers, and a war of words ensued which pushed the central issue into the background and brought forth the battle lines on ideological and political affiliations of the writers.