Sufi rock by an immensely talented band
This video is from the band Da Saaz. Dhruv Bilal Sangari is singing and Raoul Amaar Abbas has directed, produced and shot all the trippy light
This video is from the band Da Saaz. Dhruv Bilal Sangari is singing and Raoul Amaar Abbas has directed, produced and shot all the trippy light
Rumi Foundation brings out a ‘Sufi journal’ called Hu. This year two of my essays have been published in the journal. I am posting the first one on Bulleh Shah.
***
If God was found by bathing and cleansing
He would have been found by frogs and fish
If God was found by wandering in the jungles
Stray animals would have found him
O Bulleh, the Lord can only be found
By loving hearts – true and pure…
(Translation by author)
Fifteenth century India witnessed a spiritual-cultural synthesis that was navigated by hundreds of yogis, Sufis and poets of India. Very much a people’s mobilisation, the Bhakti movement articulated a powerful vision of tolerance, amity and co-existence that is still relevant today. The powerful and soulful voices of Sufi poets of the sixteenth century therefore sing a shared tune: of love, rejection of formal identities based on caste, organized religion and class.
Bulleh Shah (1680-1758) of Kasur in Central Punjab is an extraordinary voice that provided a mystical message beyond caste, institutionalized religion and ideologies of power. Born in 1860 and named Abdullah Shah in a Syed family, he found a Murshid (spiritual master) in Shah Inayat who was an Arain (traditionally a non-landowning group). Bulleh’s family disowned him for trampling his caste and therefore identity in the rural context. However, Bulleh Shah, driven by Sufi ideals of equality of humans, rejected the formalized social identity framework based on hierarchies. The quest for knowledge, and the thirst for spiritual completion – what the masses perceive to be the domain of religion – was a pursuit beyond these divisive and hereditary conceptions of formal religion. When the orthodoxy declared him as an infidel, Bulleh replied: (more…)
Iko Tera mera payu (You and I share the same father)
Iko teri meri maan (We share the same mother)
Iko saadi janam bhon (one is our birth place)
Tu Sardar tey mein kammi kiyon? (why are you the chief and I a slave)

Bulleh-a aashiq hoyiyon Rabb da,
Hoai Malamat Lakh Tenon Kafir Kafir aakhdey,
toon aaho aaho aakh
(Bulleh Shah)
Bulleh lover of G-d, a million blames occur
Your title is apostate, answer yes, yes, so it is.
(translation by JH)
A popular kafi of Bulleh Shah, sung by Abida Parveen “BULHE NU SAMJHAWAN AAINAN BHAINAN TE BHARJAIAN” earlier posted as ” A stove is better than Bulleh” am posting its english translation thanks to Shahidain’s invaluable contributions.
People discouraged Bulleh Shah from accepting Inayat Shah as his master and said ” Bulleh you are a scholar and a descendent of of prophet Mohammad (pbuh). Does it seem right to you to go to an ordinary gardener of low caste and become his disciple? Is it not embarrassing?” But Bulleh showed great love and reverence for his master and did not pay any heed to this objection. (more…)
Na mai sussi
Na mai sohni
Na mai heer sayal
phair we sajna
dil kyouN mera
Ja lagayaa teray naal (more…)
Dr Manzur Ejaz writing for the TFT
According to myth, if perfectly sung by a master, the classical raga Malkauns can set a river on fire. And if you want a description of Malkauns personified, it would be the tall red-eyed jogi or Ustad Chote Ghulam Ali Khan. In a freshly laundered, blazing white and starched kurta-pajama, Khan Sahib was a well dressed and handsome man even in old age. Despite his appearance, Khan Sahib was at heart a jogi who had wandered and meditated in the limitless jungle of classical music his entire life.
Both Bade Ghulam Ali Khan and Chote Ghulam Ali Khan belong to this gharana. They were cousins with identical names but because one was older he was known as precisely that, Bade, and the younger as Chote. The classical singers of the Qasur gharana are sometimes called “Qasur kay qawwal bankay” (children of Qasur qawwals) because their forefathers were traditional qawwals at the shrine of Baba Bulleh Shah.
Khan Sahib worked hard to enhance Samina Hussain Syed’s skills in classical music because she had a very powerful, deep and melodious voice that constitutes the core of a classical singer. In fact, she had more potential than anyone else in the world of music at that time. Khan Sahib knew her potential and that is why he would come daily for her training; it was never just for the money.

Akhtari Bai Faizabadi, whom Khan Sahib romanced (more…)
Shahidain has sent these couplets
Main NeevaaN Mera Murshid Uccha
Main UcchiyaaN naal sang laayee
I am lowly my spiritual guide is lofty!
I have tied my fate to such lofty ones!
—————————————
Bulleh naaloN chullaah changaa
jis te ann pakaaee daa
ral faqeera majlas keetee
bhora bhora khaaee daa
A stove is better than Bulleh
because at least you can cook food on it
Saints sit together to eat
and share their food with each other.
The annual Urs of Bulleh Shah, the Punjabi mystic poet, commenced yesterday in Kasur yesterday. Bulleh’s poetry reflected his rejection of orthodox hold of mullahs over Islam, the nexus between the clergy and the rulers and all the trappings of formal religion that created a gulf between man and his Creator. A common theme of his poetry is the pursuit of self-knowledge that is essential for the mystical union with the Beloved. Among Bulleh’s timeless verse, I love this one (more…)
Himal Magazine had published this article on the resistance poetry in Pakistan. I had uploaded it on the Pak Tea House some time back. However, I just realised that it should be published here as well..
The long spells of authoritarian rule in Pakistan have nurtured a rich dissident literary tradition. This tradition has its roots in the Progressive Writers’ Movement, which originated in colonial India with major Urdu poets and writers as its vanguards. Faiz Ahmed Faiz was, of course, the best-known torchbearer of this tradition, while other luminaries included Sajjad Zaheer, M D Taseer, Rashid Jahan, Kaifi Azmi, Ismat Chughtai, Sahir Ludhianvi and Ahmed Nadeem Qasmi, to name only a few.
With the post-Independence Pakistani state continuing the old-style approach to ruling over the masses, the progressive movement too carried on its dissent long after 1947. Those who had migrated to Pakistan faced a new reality, which, in the words of Faiz, was far from the dawn for which they had hoped. “This blemished light, this dawn by night half-devoured,” Faiz wrote ruefully. “surely not the dawn for which we were waiting.” (more…)
I had earlier posted a video of Abida Parveen singing Bulleh Shah. While that is an all time favourite, the global voice of Nusrat Fateh Ali Khan has also rendered Bulleh Shah with great ease and soulfulness. I am grateful to Cubano for opening the doors into this magical world of music. No words can capture the sheer beauty of this music. Videos are posted below (more…)
Recently, I was asked to help a friend with the original text of Bulleh Shah’s Hindu na Na heen Musalmaan. I found the original Punjabi and also found two other pieces that I am posting here.
Bulleh Shah’s poetry addresses most maladies that we face in this day and age.
——————————
HiNdu na naheeN musalmaan,
Baheeye tiranjan taj abhimaan.
Sunni na naheeN ham sheeya
Sulha kuhl ka maarag leeya.
Bhookhe na naheeN ham rahje,
NaNge na naheeN ham kahje.
RoNde na naheeN ham hasde
UjaRe na naheeN ham vasde.
Paapi na sudharmi na,
Paap pun ki raah na jaanaaN.
Bulhe Shah jo hari chit laage,
Hindu turak doojan tiyaage
Neither Hindu nor Muslim,
Sacrificing pride, let us sit together.
Neither Sunni nor Shia,
Let us walk the road of peace.
We are neither hungry nor replete,
Neither naked nor covered up.
Neither weeping nor laughing,
Neither ruined nor settled,
We are not sinners or pure and virtuous,
What is sin and what is virtue, this I do not know.
Says Bulhe Shah, one who attaches his self with the lord.
Gives up both hindu and muslim. (more…)
Enough of learning, my friend!
Enough of learning, my friend!
To it there is never an end
An alphabet should do for you,
It’s enough to help you fend.
You’ve amassed much learning around,
The Quran and its commentaries profound.
There is darkness amidst lighted ground.
Without the guide you remain unsound.
Learning makes you a Sheikh or his minion,
And thus you create problems trillion.
You exploit others who know not what,
Misleading them with wild opinion.
You meditate and you say your prayers
You go and shout at the top of the stairs.
Your cry reaching the high skies,
Its your avarice which ever belies.
The day I learnt love’s lesson,
I plunged into the river of divine passion;
An overwhelming gale, I was confounded and lost
When Shah Inayat cruised me across.
Source: here
More on Bulleh Shah here and here
Punjabi version is below (more…)
Recent Comments