In memoriam – Asim Butt (1978-2010)
He was a man, take him for all in all,
I shall not look upon his like again
(Hamlet, Shakespeare)
It is only when Asim has gone that one takes measure of the legacy he has left for his troubled and torn country. A decade long association was lost on the fateful day of January when we heard of his untimely exit from this world. For hours, I sat in my office, numb. Not that Asim’s suicide was a surprise, for he had warned us all many times of this inevitable dénouement to his dramatic life.
Five years ago, when I wrote a piece on the Pakistani poet Mustafa Zaidi and the romance with nurturing a death wish, Asim wrote to me and said that I had no clue what this was all about. His words were: “loved and was deeply moved by your piece on Zaidi... saw so much of myself in his life story, hoping I don’t die unsung and on the fringes, and wondering why you of all people would have a death wish.” Asim had suffered and struggled with his inner demons with an intensity that most of us will never appreciate. This was the first time that I knew about the seriousness of his other side: a dialectical dark side to his otherwise cheerful, loving and warm persona. Asim cannot be mourned; he can only be celebrated. He would have hated the melodramatic statements that I am inclined to write in this remembrance.
Two of my dearest friends were close to Asim in a way that is difficult to understand. Nearly a decade ago I met Asim at Ali Dayan Hasan’s home in Karachi. I was passing through on one of my occupational breaks from my assignment in Kosovo. Ali had returned from England and joined the monthly Herald and was piecing his life together. I met this lean and quiet young man who had big, bright eyes and a unique smile. We did not talk much except for a small argument over something, perhaps about a book, but I could not help being thoroughly impressed with his viewpoint. Since then I have had a series of exchanges, verbal and electronic, in which Asim was always animated, off-beat and extremely gifted with words and ideas. No wonder his art work and many of his writings are a formidable legacy for us all.
Born into a regular upper middle class family, Asim Butt was always an exception. He was different, as he would tell me. Rejecting convention, tradition and the confines of societal expectations was therefore something that started way too early with Asim. To be fair, he did pursue a path chosen for him. He attended the Li Po Chun United World College where his gift for painting became polished, and at some level he had chartered his future course. There was some meandering: a degree in the first batch of B.Sc. in Social Sciences earned from the Lahore University of Management Sciences; and later an unfinished PhD in History from the University of California, Davis. He returned to Pakistan, wrote for the Herald and other publications, and finally enrolled himself at the Indus Valley School of Art and Architecture.Not surprisingly, Butt graduated with distinction in 2006.
Farewell Common sense
Ahmed Nadeem Qasmi (1916-2006)
I am republishing an old article that appeared in The Friday Times, Pakistan on the great Urdu poet Ahmed Nadeem Qasmi.
Ab aik baar to qudrat javaabdeh thehre
hazaar baar ham insaan aazmaaye gaye
Now Nature must be held accountable at least once
We humans have been held answerable a thousand times
Few men evoke such awe and respect as the departed poet and writer Ahmed Nadeem Qasmi who breathed his last on July 10 2006. His mastery over poetry – he has been equally prolific in traditional ghazal and nazm – and prose – as a short story writer, journalist and literary critic – stand at the pinnacle of Urdu literature and he has contributed to the language over 50 titles.
Born in 1916 amidst the scenic Soon-Sekasar valley in district Khushab, nature influenced the evolution of Qasmi’s poetic sensibilities. Exposure to the grim realities of rural India’s inequities also played their part in his development as a writer; the underlying theme of his poetry is human dignity and his short stories – regarded as next in line to another master, Munshi Prem Chand, for their directness and simplicity – portrayed the woes of the Punjabi peasantry and their interaction with power structures. Following his matriculation from Campbellpur in 1931, around the time when he wrote his first poem, he moved to the Sadiq Egerton College in Bahawalpur and graduated in 1935.