Posts Tagged book

By Raza Rumi

By Raza Rumi

When the shrine of Baba Farid Ganj Shakar in Pakpattan was attacked last year, the real significance of the incident was not fully understood. Baba Farid is a leading figure of the Chishti Sufi order that has played a major role in developing Sufi establishments ( khanqahs) as inclusive and multifaith spaces of spirituality and meditation in medieval India.

Tanvir Anjum’s book is an elaborate treatise on how the Chishti Sufis could create and sustain those spaces, sometimes in the face of opposition and suppression from the state.

It is rare to find Pakistani scholars or writers exploring Sufism, which is central to belief systems and worship practices in Pakistan and is perhaps a socially-embedded bulwark against exclusivist ideologies that have flourished of late due to state patronage. Anjum’s work, therefore, is a welcome addition to the meagre body of Pakistani writings on Sufism. The book is based on her doctoral dissertation and, therefore, its tone and structure are academic. (more…)

By Raza Rumi

Anatol Lieven’s new book is not just a contemporary account of Pakistan, it also attempts to present an alternative narrative of what is often referred to as the worlds most dangerous country. Lieven worked in Pakistan for several years for The Times and is currently a professor of international relations and terrorism at Kings College, London. His approach, therefore, is a curious mix of hard- core research and journalistic reporting. The two intersect, disagree and at times oppose each other.

After exhaustive research and speaking to scores of Pakistanis, Lieven is quite clear that Pakistan does not deserve the oft-repeated verdict of being a failed state or the prediction that it is going to is integrate. He focuses on Pakistans robust society fissiparous and troubled as it is practising the art of resilience as an article of faith.

This is why the author, like many others, is struck by the inherent strengths of Pakistan, which are an antidote to its failures. Lieven also debunks several myths, especially those related to the scary image of Pakistans military-intelligence complex. This is, perhaps, a point of departure in his narrative that makes his work a little unpalatable for hard-nosed Pakistan bashers. Some, in fact, have criticised him for what they see as veiled admiration for Pakistans armed forces. (more…)

“…the pasture of stupidity is unwholesome for mankind.”– Ibn-e-Khaldun

 Pakistan’s ‘crisis’ of governance has now acquired an axiomatic status. Local and foreign experts have been grappling with the precise nature of how the Pakistani state has transformed over the past decades. In particular, the state’s inability to turn into a citizen-responsive, accountable entity is a major tragedy of our times. Ilhan Niaz’s award-winning book, The Culture of Power and Governance of Pakistan 1947-2008, is a significant narrative on the philosophical and historical dimensions of governance or lack thereof. Perhaps the most impressive part of his endeavor is the fact that his is an indigenous analysis, emanating very much from a Pakistani scholar who has chosen to rough it out in a public sector university.

The book uses a wide range of declassified records available at the National Documentation Centre in Islamabad and, therefore, posits a fresh perspective on both the political history of Pakistan as well as how the culture of exercising power in South Asia permeated the insular, mock-Weberian state created by the British. In this respect, it is worthwhile to say that Niaz has also ventured into exploring the marked regression of Pakistan’s ruling elites – something that few studies before his have attempted. As he puts it, the state apparatus has over time become arbitrary, proprietary and delusional. (more…)

Coleman Barks is a great translator. His recent essay here is a great read especially in terms of debates on Islamophobia

Rumi: The Big Red Book collects all the work that I have done on The Shams (Rumi’s Divani Shamsi Tabriz, The Works of Shams Tabriz) over the last 34 years. As I put this book together, I felt drawn to revise slightly almost every poem, to relineate and reword. So I hope this is a refreshed collection.

I sent a copy to my friend, Robert Bly. He describes in a letter what I have done with these poems: “You have given them pats on the shirt, set them on some local horse, and given the horse a clap on the rear, and the poems are gone, well almost gone.” He should know. He got me started on this path, when in June of 1976, he handed me a copy of Arberry’s translation of Rumi and said, “These poems need to be released from their cages,” by which he meant they needed to be translated out of their scholarly idiom into the lively American free verse tradition of Whitman. Hence this book. It is not all that I have done the last three decades, but I did spend some time, almost every day, with Rumi’s poetry. I do not regret it. Something about the practice keeps unfolding.

The organization of this book is unique. The odes (ghazals) are divided into 27 sections, each a Name for the Mystery. I avoid, wherever I can, using the word God. It feels so freighted, to me, with doctrine and division and violence. I don’t necessarily recommend this avoidance to anyone else. Eighteen of the Names are taken from my teacher, Bawa Muhaiyaddeen‘s The 99 Beautiful Names of Allah (The Opener, The Gatherer, The Patient, The Kind, The Intricate, Majesty, Light, Peace, The Grateful, The Living, etc). Two of the Names for Mystery are people I have been fortunate enough to meet, Bawa Muhaiyaddeen and Osho. Two other Names are also human beings, the Indian saint, Ramana Maharshi, and Shams Tabriz. Three other Names are borrowed. Dissolving the Concept of “God” (I have heard this somewhere, but I don’t remember where), Playing (Plotinus), Tenderness Toward Existence (Galway Kinnell’s phrase) and then there’s the next to last, Everything and Everyone Else. The last Name is one that is implied in every Sufi list of the 99 Names, The Name That Cannot Be Spoken or Written. (more…)

My friend Rakhshanda Jalil is singlemindedly pursuing her interests and dreams. Her latest book of translation has attracted attention from critics as well as high profile media persons such as Khushwant Singh. In his latest column he talks about RJ and her new book.

Bihar in translation
One of my lasting regrets is that when I migrated from Pakistan to India in August 1947, I did not learn to read and write Hindi. It was not entirely my fault as I got postings abroad and even lost much of the Urdu I knew. I was about to pick it up again in my years in Bombay. I envy those who are equally at ease with Hindi, Urdu and English.
One of them is Rakshanda Jalil of Jamia Millia University. She has written extensively about Delhi in English and translated Hindi novels. Though she is equally adept in Urdu, she does not write it, but uses it as her source material.
Rakshanda Jalil’s latest offering is translations of 10 short stories by Phaneshwar Nath Renu — Panchlight and other stories (Orient Black Swan). I had heard a great deal about Renu but was never able to lay my hands on any of his writing in English translation. I was aware that Renu (1921-77) was a Bihari from a tiny hamlet in Purnea district. He was deeply involved in the freedom movement and was jailed many times. His story Maraa Gayaa Gulfam was made into a highly popular feature film. Renu’s stories have the earthy fragrance of the soil of Bihar. (more…)

Raza Rumi relives the enchantment of the dastans (published in The Friday Times)

Musharraf Ali Farooqi and the Urdu Project have revived a tradition that was fading in the age of instant communication, sms lingo and a dying reading culture. When I started reading the book, I could not help remember the day when my Uncle, Zaheer Ahmad Bhutta, a man of letters and book-lover handed over a set of Tilism-e-Hoshruba to me in my early childhood. I distinctly remember the summer when I devoured all the abridged versions, feeling thirsty for more. So I read them again. As a young man I dared to read the originals and could not help being pleased with myself. Tilism and its magical kingdom remains a part of me, and of many others of my generation who grew up on its diet of bravery, magic, lust and a peculiar aesthetic.

Tilism is a wonderful product of our composite Indo-Muslim culture that took centuries to evolve. This is why it defies the clergy’s diktat and religious bigotry, and its characters are a mix of all that the Indian context offered to outsiders such as Arabs and Central Asians. It is a larger than life metaphor for our past that has been lost now. Perhaps forever.

Hoshruba, Book One: The Land and the Tilism begins by telling us how Amir Hamza and his armies have chased the giant Laqa to the dominions of King Suleiman Amber-Hair on Mount Agate. While out hunting nearby, Hamza’s son, Prince Badiuz Zaman, follows a unique fawn and enters the land of Hoshruba. (more…)

Published in The Friday Times last week:

A new collection of translated short stories reminds us how Urdu literature needs to connect with a global audience, says Raza Rumi

As I hold the recently published “The Oxford Book of short stories” in my hands, I cannot help bemoan the fact that Urdu literature has been almost invisible from the arena of global literature. Admittedly, translation is difficult; the tediousness of translation daunts many a brave heart. Having said that, there have been a handful of remarkable translators such as Khalid Hassan, Alamgir Hashmi, CM Naim, Aamer Hussain, Umer Memon and Rakhshanda Jalil, to name a few. But a wide corpus of Urdu literature lies forlorn and hidden from global readership, which alas is dominated by English language readers. For this very reason, Amina Azfar has done a remarkable job of compiling a collection of Urdu short stories. Her earlier translations have been competent and quite often lyrical. For instance, Akhtar Hussain Raipuri’s Gard-e-Rahh (the dust of the road) and Sajjad Zaheer’s Roshnai ( the Light ) are noteworthy for their tone.

The book has a nice little foreword by Aamer Hussain, who is correct in stating that Azfar’s collection provides a fine introduction to the genre of the Urdu short story. The stories selected encompass a range of various experiments undertaken by the great Urdu writers. The stark realism of Munshi Premchand is counterpoised by Khaleda Hussain’s two short stories that are allegorical and somewhat postmodern in their sensibility. Iftikhar Arif, the renowned poet-bureaucrat, in his formal introduction quotes Dr Jamil Jalibi, terming the selected short stories “in the category of the very best”. (more…)

  Published in The Friday Times (May 22 issue)

   Raza Rumi discusses a new book on Sufism by Sadia Dehlvi

Getting a visa to India is a nightmare for ordinary mortals. My application was not very politely returned last month with technical objections. It was only when a letter from Harper Collins arrived that the High Commission rather efficaciously allowed me to enter enemy territory, that too with special instructions that cantonments were out of bounds. I guess the South Asian officialdoms have yet to discover that Google Earth has permanently altered the shape of boundaries and secrecy. (more…)

I am sharing a message from Suhayl Saadi here: The website associated with my forthcoming novel, Joseph’s Box has been launched. There are stories – fables, one might say – tangential to, and drawing from, the main narrative of the book as well as other information. The site will develop over time. If you pre-order the books now from the site, you will get them early. Happy reading!

About the novel: Recently bereaved Zuleikha Chashm Framareza MacBeth wades into the Clyde one morning and recovers a large box, with which she becomes obsessed. The discovery brings her together with Alex, a lute-playing clerk, and they manage to open the box – only to find six more boxes inside, each of which can be opened only by following a cryptic clue. The clues lead Zulie and Alex on a physical and emotional journey, modulated through music, across Glasgow, Argyllshire, Lincolnshire, Sicily, Lahore, and finally the frozen peaks of the ‘Roof of the World’. Meanwhile Zulie, a troubled doctor, has been sucked into the vortex of the terminally ill Archie MacPherson, an ambivalent, visionary Second World War airman and Glasgow shipyard worker. In the manner of a lord of misrule, Archie’s dying consciousness begins to shape and ultimately define Zuleikha and Alex’s quest as they progress through the seven Sufi stations of sacrifice, truth, power, obedience, life, memory and beauty. Drawing on a wide framework of cultural and spiritual reference, uniquely blending contemporary Western literature and traditional Arabo-Persian storytelling, this is an extraordinary and ambitious novel with a visceral sensuality and subtle touches of magical realism, in the vein of Okri, Murakami and Pamuk.

ISBN 9781906120443; trade pbk 216x138mm (with coloured endpapers); 688 pages.Joseph’s Box will be available on publication date as an e-book via this website and the publishers’ website only.

Reviewed by: Yoginder Sikand

Muslim family laws have for long been—and continue to be—a hugely controversial subject. Critics contend that these laws seriously militate against basic human rights, especially of women. On the other hand, conservative ulema and Islamist ideologues hail these laws as the epitome of divine justice and refuse to consider any changes therein. (more…)

Ziauddin Sardar’s review for The Independent is worth a read:

Aatish Taseer grew up in Delhi with his Indian mother, a Sikh journalist. The Muslims of Delhi, he says, saw him as one of his own. But his estranged Muslim father in Pakistan was in another country. The troubled personal relationship, he asserts, must have some deep historic and religious undercurrents. To get close to his father, he must understand what Islam means to contemporary Muslims. (more…)