Posts Tagged Azad

I was intrigued by this interview of Maulana Abul Kalam Azad given to the famous journalist Shorish Kashmiri for a Lahore based Urdu magazine, Chattan, in April 1946. This interesting document has been discovered and translated by a former Indian minister Arif Mohammad Khan. Covert Magazine and newageIslam website have recently published it. The contents of this interview are difficult to agree with. Azad is speaking from a nationalist angle, anti-Pakistan movement platform.

However, the narrative has some interesting observations and predictions for Pakistan that cannot be rubbished simply because Azad was a Congressite. This interview was conducted over a period of two weeks (parallel to the proceedings of the Cabinet Mission) and has not been documented in any book except that of Kashmiri’s book on Abul Kalam Azad, which has been out of print for decades. Its discovery is a welcome step towards better historiography on both sides of the border.

Q: The Hindu Muslim dispute has become so acute that it has foreclosed any possibility of reconciliation. Don’t you think that in this situation the birth of Pakistan has become inevitable? (more…)

Raza Rumi

The dastardly attacks in Mumbai have irritated the old wounds and replayed the familiar, jingoistic tunes across the Indo-Pak borders. The Pakistanis, clamouring for friendship with their larger and problematic neighbour, have condemned these attacks in no uncertain terms. Who could be a worse victim of terrorism than Pakistan in these extraordinary times? Yet, the Indian media and sections of its establishment are quick to involve ‘Pakistan’ as the key perpetrator of the terror regime. This has obviously angered some and allowed a few Cold-War practitioners to call for self-defence and fighting with India till the last. The truth is that much of Pakistan does not want war. Hopefully, the Indian citizens are also not looking at war as a solution, or so it seems.

It is almost a cliché to state that war is not a solution to the current imbroglio despite the hysterical calls by the Hindu right to ‘neutralise’ Pakistan. The saner elements in India have already pointed to the implicit and deep-seated issues of misgovernance, short-termism and the mess of Partition that were neither carefully deliberated nor rectified during all these decades. The non-state actors in both India and Pakistan have gained ascendancy due to the power distance of the Raj induced steel-frame structures of governance. If there are dozens of districts in India that operate beyond the writ of the formal state, there are areas in Pakistan that are not just outside the scope of the formal state but in a state of rebellion due to the war on terror. (more…)

End of an era: Ainee Apa 1927 – 2007

Why do we all find ourselves present in this particular context, in this particular place? How have these pictures assembled here in this jigsaw puzzle? Soon, something will happen, pieces will scatter and become part of a newer pattern? This time will pass? (From My Temples, Too)

The death of Qurratulain Hyder marks the end of an era of the finest writing in Urdu. Hyder, also known as Ainee Apa, dominated the world of Urdu literature for over six decades. She started writing as a child and published her first novel, Meray Bhi Sanam Khanay (later trans-created as My Temples, Too), when she was 22 years old. The novel set a new trend in Urdu literature: a voice of modernity, yet one rooted in the traditions of the Indo-Muslim ethos as it struggled to narrate the tragic tale of the birth of two new nations. Even her worst critics, the doyens of the Progressive Writer’s Movement, acknowledged her innate gift for writing. Within three years, her second novel was published and she had unwittingly kick-started the revival of the Urdu novel from the point where Munshi Prem Chand had left it in the early twentieth century.

Her genius found a panoramic range of expression in Aag Ka Darya, which for its canvas, historical consciousness and characterisation, surpasses most novels written in any language. This novel deals with the plight of the human condition in the Indo-Pakistani setting from the fourth century BC to the 1950s. Starting with a translation of a TS Eliot poem, it traces multiple eras, with characters disappearing and reappearing in different guises, pitted against the broad strokes of history and time.

It was an epoch-making event in Urdu literature, but ran into trouble in Pakistan, as the novel highlighted the thousand year old composite Indo-Muslim culture of pre-Partition India, something which was not in line with the official version of history being constructed in Pakistan. Ideologically driven right-wing critics considered it a threat to their nationalism. (more…)