Posts Tagged ‘art’

Anandi Boiragi - the eclectic painter and an urban Baul

With legendary artist S.M. Sultan as his mentor, Anadi Kumar Boiragi from Jessore attended Khulna Art College in the late ’80s, before enrolling at the Oriental Department at Charukala in Dhaka to further his artistic education.

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Miniatures make for a commentary on the Sufi spirit

Nicholas Cranfield considers work that draws deeply on traditional Islamic art

FATIMA ZAHRA HASSAN has been teaching in London for more than a decade, and is an accomplished artist. Dr Hassan’s little show of some 17 works happily fits the commercial gallery in St John’s, Notting Hill, in London, where the blank white walls draw the eye by their rich palette. Read the rest of this entry »

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A brush with the new - Asim Butt’s Art

What distinguishes Asim Butt from his generation and perhaps the preceding generations of artists is the sheer originality of his vision and an iconoclasm that is neither trumpeted nor made visible until the subtext of his lines is closely studied. This is why Asim has undertaken bold strides during the last 10 enriching years of painting. In the meantime, he also earned a degree or two in social sciences, a half-finished PhD at the University of California and formal training from Karachi’s Indus Valley Art school.

Art education in Pakistan, despite its deep- seated tradition of experimentation, does not allow the full exploration of originality. This is why the revival of miniatures has become another soft tool of marketisation and an out-of-wedlock union between art and commercialism. Rejecting what is on the horizon of Pakistani art, Asim Butt has stuck to his innate traumas and nightmares, sometimes indulging them, at others softening them with figures that blend the sensuous with the spiritual and the political with the existential.

That his early works display a cracked sense of the self is not surprising. A rebel from his conventional background, Butt continues to defy the conformist meanings of family, career, security, sexuality and that elusive bourgeois pursuit of happiness. Inspired by the Stuckism movement of art, Asim holds painting as a powerful medium of communication. This standpoint brings our young Pakistani Stuckist at odds with the skin-deep novelty and claimed nihilism of “conceptual” art and postmodernism. The pursuit of art in this worldview thus merges into an impulse for a renewal of spiritual values in art and society, or what is known as “re-modernism.” In Asim’s own words: Read the rest of this entry »

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An affair with Sufiana art in Ajmer

My dear friend Salman Chishty is holding an exhibition at the death anniversary (Urs=Union) celebrations of Khawaja Muinuddin Chishty. This is such an innovative tribute to the great Chishty saint. I recall seeing some of these works that he was collecting in Ajmer earlier this year.

This story from the Times of India came as a pleasant surprise …

AJMER: The Sufi message of peace and harmony is being propagated through an exhibition of paintings called ‘Sufi art exhibition’ organized by Salman Chishti, a Sufi Scholar and a curator of art paintings.

He is displaying his collection of 100 paintings on handmade khadi paper at the Chishti Manzil here. The theme of exhibition revolves around calligraphy and paintings depicting Sufi values.

At the exhibition, the Sufi paintings of Najmul Hasan Chishti, a khadim of the Khwaja and a calligraphy artist. The unique feature of this exhibition is the representation of the saying of Sufis in calligraphy, along with its meaning illustrated through a painting in the background.

The principal essence of Najmul’s works is portraying life in ‘Sufi Islam’ and especially on ‘Sama, a form of mediation, widely practiced by the Sufi ‘dervish’. One can observe Rumi poetry in many of his paintings. He had beautifully portrayed the whirling ‘dervishes’ in ecstasy.

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mystical expressionism and Jamali’s art

Jamali is a contemporary artist of Pakistani origin. It was a delight to have discovered his artistic vision.

Mystical expressionism is a new mode of art-making that combines the scientific insights of our new age with humankind’s ancient wisdom. Obeying the dream guide who set him on the path to art, Jamali himself has named his life’s work Art & Peace.

The source of Jamali’s art and his life lies in the primordial spiritual traditions of the East. In his birthplace Peshawar, the Asian crossroads city, Jamali drank in Buddhist, Hindu, and Sufi ideas of the sacredness of being. He spent years of his youth with a mysterious desert people who still respect the shaman’s powers. But he also studied modern physics and engineering. Jamali is the first to incorporate the paradoxes of quantum mechanics into contemporary art.

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