Jahane Rumi In search of the unsearchable: O, my soul! where would you find your house?

28Feb/100

Magic moments – incredible photos on mysticism

Today, a magical photographer and a brave journalist Iason Athanasiadis, wrote to me after reading some of my comments in NYT. This is such a small world after all. Iason has also lived in Pakistan and some of his beautiful pictures can be found here (I am posting an image from Pakistan below from his collection). What a treasure it is. I am so grateful that Iason got in touch..

Here is another one from Iran - absolutely stunning...

22Feb/100

A picture that sums up a long story

Pakistan Taliban commander Hakimullah Mehsud is seen with his arm around Taliban chief Baitullah Mehsud during a news conference in South Waziristan (read more here courtesy this site)

25Mar/094

Fatehpur Sikri

Fatehpur Sikri - March 16, 2009, originally uploaded by Jahane Rumi.

I was in Fatehpur Sikri a week ago. I love going there again and again. The place is calm and represents architecture that can be easily described as frozen music.
This entrance is close to the shrine of the Sufi saint Salim Chishty - there are countless graves of Mughal era - mostly of the disciples of the great Saint whose best known follower was Emperor Akbar.
This was a spring afternoon and therefore an appropriate time to visit the place. But I am not happy with my visit. it was too short.
I will return.

16Sep/083

Two pictures- Breaking the Fast and Desecration

Two pictures with captions tell many stories

I Breaking the Fast

A lone man eats in a soup kitchen set up for Ramadan outside a public housing project in Paris. Source

II Desecration
A damaged portrait of Jesus Christ hangs on the wall of a demolished home after an anti- Christian mob attacked it in Barakhama village in the eastern Indian state of Orissa.

4Sep/080

Anandi Boiragi – the eclectic painter and an urban Baul

With legendary artist S.M. Sultan as his mentor, Anadi Kumar Boiragi from Jessore attended Khulna Art College in the late '80s, before enrolling at the Oriental Department at Charukala in Dhaka to further his artistic education.

19May/083

We can smile in adversity too – the Biharis in Bangladesh

I took this photo at a Bihari camp in Dhaka. Thousands of 'Pakistanis' are stranded in Bangaldesh since 1971 and both the states refuse to acknowlegde their existence. Hence, a few generations have been born in the refugee ghettos who live in sub-human conditions.

I was extremely happy to read this report in the NEWS today that is a little ray of hope:

BD court gives stranded Pakistanis citizenship right

DHAKA: Bangladesh's High Court ruled on Sunday that some 200,000 Urdu-speaking refugees have the right to be Bangladeshi citizens, a lawyer and a news report said.

Rafiqul Islam Mian, the counsel of a group of refugees, said the court made it clear that they also have the right to cast their votes in upcoming polls, expected to be held in December. "The refugees who were minors in 1971 or born after the independence of Bangladesh are citizens of Bangladesh," the court said in its ruling.

22Jan/088

Finding a long lost friend

KM and I have known each other for ages. There were days when we were at school and the height of excitement of pre-globalized Lahore was visiting friends. So we would plan our visits and then sit for hours and talk. Random, intelligent and human stuff.

And, then our lives expanded so to speak when we arrived in London as undergraduate students, lost and a little disoriented in a college with thousands of students. I remember that we watched "The Unbearable Lightness of Being" together and few other alternative films. KM was a little shocked at the Kundera's hedonism. There was one that KM did not find too exciting. Perhaps it was Greenway's "The Cook, The Thief, His Wife and Her Lover". Of course we were growing up and finding our little paths and dealing with our demons and gods.

12Dec/0722

Shaheen Sultan Dhanji’s art

Bordering between abstract and socio-political, Shaheen Sultan Dhanji's photography, painting and writings are at once striking to readership.  Her art transforms the humble into amazing objects of desire.
 
 Sultan's  large scale of black and white photographs are at once contemporary, mingled with socio-political messages. Themes of war, poverty, women and sanitation, globalisation and various pressing subjects are provocatively captured on film. She has had some of her works exhibited in Ottawa and Toronto Canada. 

Luminous yet subtle abstract and figurative paintings reveal a fusion cultural influences, and experiences endured in  Sultan's journey in assmililating between life in Africa and North America. 

Her art punctuates and pierces a wave of questions of human dignity, colossal loss of wars, life of a courtesan and major other social themes.  Sultan is senstive to light and colour. Her work can be calssified with using strong oil base, and lots of blues, yellows, red and burnt orange.
 
Apart from visual art, Sultan  is a writer for several newspaper. Her subjects include politics, literature, poetry and eastern philosophy. She does not shy away in dialoguing concerns facing wars in Iraq and Afghanistan, not to mention the genocides in Congo.  A constant worker, Sultan is convinced that tenacity and perserverance are the deepest, firmest pillars to create the enigma out there.

JR is grateful that Dhanji has shared the images of her two recent paintings that are shown above. The write up has been adapted from a review of her works.

8Dec/072

Guennol Lioness from ancient Mesopotamia

The piece on the left has been described as "one of the oldest, rarest and most beautiful works of art from the ancient world."

Described by Sotheby's as diminutive in size, but monumental in conception, The Guennol Lioness was created around 5,000 years ago -- around the same time as the first known use of the wheel -- in the region of ancient Mesopotamia.

"This storied figure, in its brilliant combination of an animal form and human pose, has captured the imagination of academics and the public since ..the late 1940s," ...

The figure depicts a standing lioness looking over her left shoulder, her paws clenched in front of her muscular chest.

Experts have speculated that the figure may have played a role in some ancient belief system or mythology in Mesopotamia, which today lies in parts of modern day Iraq, Syria, Turkey and Iran.

Image and text from here

24Nov/0714

Isfahan’s Blue Mosque inspires a painting

On a long tiring flight, I was not too amused by another predictable rant on "Intimidation in Tehran" in the Time magazine. However, while browsing through, I could not help notice a stunning photograph taken by Olivia Arthur.

17Nov/078

Shoaib Akhtar in Delhi

19Oct/0725

The devastating midnight attack

140 dead and 538 injured - this little byline cuts through hearts and our future!

Yesterday was the day of images - moving pictures of excitement, energy, applause and then the saddest of recent tragedies.

13Sep/076

Vandalism in the name of development

I was introduced to this photo taken by Khanpride by Jami Sirhandi.

His plea was to stand up to the 'development mafia' and stop this vandalism.

Across Pakistan, rampant and unplanned urbanisation is taking its toll on green spaces and the trees. As it is our forest cover has denuded to alarming proportions; and now we are creating urban wastelands of dubious impact in the name of development.

The image on the right, again shows how trees have vanished and there has been no re-plantation despite the usual lip-service that is paid on these occasions.

Saving trees is not just a romantic notion: it is vital to our future and involves the right of our next generations to survive on this planet.

Stand up and be counted, as they say...

17Aug/0710

Meeting Iqbal Hussain in Lahore

During my recent visit to Lahore, I met the Lahore artist, Iqbal Hussain. We had a nice, engaging chat, saw his recent works some displayed and some eating dust in the splendid Cooco's Cafe located next to the Badshahi Mosque.

Iqbal's matter-of-fact portraits have introduced the multiple nuances and shades of Lahore's red-light area to the world. The women subjects are mostly from the area and he paints them with stark candour and brings out the depths of expressions and emotions in his lines and brush-strokes.

Perhaps the greatest contribution of Iqbal is the establishment of Cooco's Cafe that has turned into a cultural landmark and has also catalysed urban renewal in the neighbourhood.

Among his recent paintings is the portrait of actor-writer Feryal Ali Gauhar with her dog. This is an uncommon subject but the result is fabulous. I was quick to take a photo (see the image below).

Iqbal is a down-to-earth artist with no pretensions. The directness and simplicity of his work is a reflection of his personality. He braved the mainstream opposition to his paintings with a stoic attitude and has invested his time and soul into the growth of cooco's as a fine place that offers much more than the old city delicacies and cuisine. I can't wait to meet him again and see his new work.


4Jul/078

Ominous shadows

 Raunaqe bazaar-o- mehfil kam nahin hai aj bhee

Saneha is sheher mein koi magar honay ko hai

Read here >>

2Jul/071

Disaster (once again) – an appeal for help

Life must be a living hell for the millions made homeless by the recent cyclone and floods in Pakistan. It reminds one of the horrible tragedy of October earthquake in 2006 that thousands are still trying to cope with. This is the time to pray and do all that we can for the victims of this natural disaster. Article here >>

24Jun/0720

Another accidental painting

This weekend was remarkable: visions and confusions found their way on a plain canvas and before long I was in a strange dialogue with the canvas - here is the result of this dialogue: Full entry here >>

19Jun/075

A Beautiful Veil

I am grateful to Ahmer for sending me the link to "The Art of Integration Exhibition: Islam in Britain's Green and Pleasant Lands".

The photograph on the left titled A Beautiful Veil is a creation of Zarah Hussain, Geometrist who has a lovely explanation for this: 'I have always been fascinated by Islamic patterns, the interlocking geometry with its flowing shapes, stars and rosettes. They captured my eyes, heart and mind. The contemplation of these 'spider webs of God' mold my soul and briefly enable me to escape the preoccupations of everyday life.'

Ghufran has an interesting post on Islamic architecture here.

2Jun/073

Glimpses of nineteenth century Iran

The nineteenth century photos from Iran, commissioned by the ruling monarch are delightful. A special photographer was assigned the task to capture shots of the harem and the results were unique. Apparently, these photos have also been used by contemporary artists as their inspiration as well as material.

Full entry here >>

28May/0718

Murree Ghosts – my recent painting

I have been busy with discovering the pleasure of painting - playing with colours and mixing visions and inspirations with linseed oil. The results are alas not that great. However, it is the process of being focused on and immersed in the canvas, that I find most elevating. Full entry here >>

5May/075

Dhaka by degrees

How poor are they who have not patience! What wound did ever heal but by degrees.
-William Shakespeare

I grew up in the post-East Pakistan era, and my only exposure to Bangladesh was initially through textbooks that were at best sheepish about the events surrounding its liberation. History was suspended by the school narratives. As a young adult, I was exposed to the injustices once meted out to Pakistan’s largest wing by an outspoken history teacher. Later, when I blurted out those acquired facts in characteristic drawing room discussions, I sensed an unease; silence was advised by a discerning elder.

Such silence, unfortunately, haunted the post-1971 social and cultural milieu of Pakistan. Later in life when I met real Bangladeshis, as opposed to the fictional characters that existed in my mental landscape, I felt a strange affinity despite the fact that we came from contested histories and realities. At college in London I remember long discussions with Bangladeshi friends where we disagreed yet agreed that we had a common future.

Therefore, the recent visit to Dhaka, the very first non fleeting sojourn, was an Bengali flower sellers  overpowering experience. Dhaka airport is just another airport. Like home, there are long queues broken by the protocol brigades and immigration officers struggling with the advent of technology. In Dhaka, the warmth of the people overwhelms you.

While there I could not help but think of Faiz’s only poem written in 1974, Ham ke thehre ajnabi, about how close relations become estranged.

11Apr/071

Our endangered heritage

Delhi's Red Fort was once a symbol of Mughal power and the myriad India was ruled for centuries from this fort. Full entry here >>

9Apr/071

Easter in Lahore

The local Christian community praying at an Easter service in Lahore, Pakistan.

8Apr/070

Edited – Parallel Lines: Photographs by Isa Daudpota

"Isa Daudpota is an engineer and physicist by profession. He is keenly interested in art, mathematics and computers. He writes frequently on science, information technology, education and social policy. Read entry here >>

8Apr/073

Remembering the evening glow in Murree

 I lived in this hill station for a couple of years. I often miss this light. Each evening I would wait for the glow that would last for a good half an hour before the dusk. Full entry here >>

31Mar/0714

Visiting Dhaka- “We are strangers now?”

The warmth of people and the magic of old Dhaka overwhelms you. Having said that, Dhaka is bursting on the seams with a gushing sea of humanity, unregulated construction and traffic jams defining the urban ethos. Read article here >>

30Mar/071

On Gandhara Art

The Buddhist art of Gandhara influenced Indian art and sensibilities and also that of the entire Buddhist world. Full entry here >>

22Mar/0710

Two pictures – many stories

Nearly eight years ago, this image of General Musharraf made headlines..

Full entry here >>

21Mar/070

More Images from Lahore by Artist Mahboob Ali

Mahboob Ali, the only woodcut artist of Pakistan has sent me more images of his works.

Full entry here >>

20Mar/071

Saving Heritage

Not a day passes when we are not reminded of the gradual erosion of our heritage. It is time that we thought of different solutions than a bureaucratic conservation model...

Full entry here >>