The celebrated artiste Vidya Rao from Delhi has sent this tender and profound letter after reading my post on destruction of Buddhas in Swat (and the painting that was inspired by the vandalism). I am reproducing this letter with her permission as it adds to the debate and brings in a multi-religious and multicultural perspective that is close to my heart. Her words can be so moving:

But who can silence Silence? Who can erase Emptiness? The Buddha is, and yet is not, in the stone or metal representations of him. Nor is the truth of Islam contained within the structures of a mosque. It is not the Buddha or Islam or anything such that is destroyed. What is destroyed is the connection to the inner Buddha, the inner light. We are all the poorer for this, because form, the beauty of form, gives joy and love to our lives. The task is to both mourn, work in whatever way to prevent such destruction– but also to see this as yet another teaching on impermanence.

Here is the full text of the letter: (more…)

I have been working on this composition for quite a while. I was angered, rather revolted by what the Taliban were doing in the pristine Swat valley that has recently undergone full scale war. What has the peaceful and serene Buddha to do with the war on terror and US imperialism in Afghanistan? I have friends who try and explain that the regrouped and re-energised Taliban represent the angst against the US occupation of the Pashtun lands. Perhaps there is some truth in this. But my Gautam, what was his fault? He only talked of peace in this region and only asked us to traverse and preserve our humanity.

Who are these butchers of culture? What Islam they follow? They have no religion except barbarity and tribal notions of revenge and blood-letting. There is no excuse for the vandalism against our vital heritage - Pakistan will be a poorer place if these mad, roving fundamentalists would remove all the signs of our pre-Islamic heritage and ancient cultures.

So this painting evolved in those days of anguish. I remembered a broken Buddha head that was discovered from Swat decades ago and thanks to my useful library I got the picture. So I took the Taliban flag background, which is tri-coloured (that should be black in my not so humble opinion); and transposed the Buddha on top and to indicate my fears, I painted the star and the crescent on the green portion to represent the Muslim part of the Pakistani flag.

So this is the little story that led to the painting above. My partner likes it and a few friends who saw it, also appreciated it. I have to thank my art teacher for guiding me through the shades and shadows with little [master] strokes here and there..

I plan to do a series on it. But I will have to travel to Swat; and I am not sure when will situation normalise there. In the meantime, I plan to rely on my Gandhara books and twopence imagination.

First published here

Pearapong Khireewong is an extremely talented artist who hails from Southern Thailand and has captured the pathos of the bullets that were sprayed on the local population (more…)

Murtaza Razvi writes in the daily DAWN:

NOTHING is safe any longer from the malevolence of those who continue to bring death and destruction in the name of God in this increasingly Islamic republic; not even a harmless rock-carved image of the Buddha dating back to the second century BC and which no one worshipped.

The giant Buddha at Jahanabad near Mingora in Swat finally lost its face, parts of the shoulders and the feet in a second assault last Friday by Islamist militants. The historical relic had survived two earlier attacks. But this time round, in spite of the law enforcement agencies having been warned of the danger the militants posed to the rock carving, the latter planned and carried out the blast unchecked.

Read more here

The monks in Burma have resisted the oppression with grace and immense selflessness. I am reminded of a poem The Dictators by Pablo Neruda that captures the hollowness of arbitrary rule and violence that haunts our collective conscience..

An odor has remained among the sugarcane:
a mixture of blood and body, a penetrating
petal that brings nausea.
Between the coconut palms the graves are full
of ruined bones, of speechless death-rattles.
The delicate dictator is talking
with top hats, gold braid, and collars.
The tiny palace gleams like a watch
and the rapid laughs with gloves on
cross the corridors at times
and join the dead voices
and the blue mouths freshly buried.
The weeping cannot be seen, like a plant
whose seeds fall endlessly on the earth,
whose large blind leaves grow even without light.
Hatred has grown scale on scale,
blow on blow, in the ghastly water of the swamp,
with a snout full of ooze and silence

(available online)

An online petition by Avaz can be found here. This group is now placing ads across the global newspapers to raise the pressure on Burmese authorities.

It is disturbing that there is no writ of the government in Swat - otherwise a stunningly beautiful valley. Considering that the army is engaged in a battle with the militants in these areas, the Buddhist relics would be least of government’s priorities.

Yet, they are not unimportant. In fact, it is imperative that the government should protect them as a symbol of our rich past and to send a message to the lunatics who pretend that the cause of [their] Islam would be served. Nonsense - in this day and age and in an overwhelmingly Muslim majority area. What threat they pose and whose ‘eemaan’ is endangered?

It is painful to see how a bunch of extremists are pushing us towards that.

A dynamic and enlightened friend suggests that we should write here, here and UNESCO to register our protest. Notwithstanding the limited chances of any action or corrective measures, at least we would have made the effort!

Please also see my earlier plea[s]:

Death of Pakistani Culture, Our endangered heritage, Saving heritage, Architectural neglect  

The Buddhist art of Gandhara influenced Indian art and sensibilities and also that of the entire Buddhist world. Full entry here >>