My dear friend Vidya Rao’s labour of love is finally out. She has been working on this project for quite a while. Her book Heart to Heart: Remembering  Naina Devi is a tribute to her teacher, Guru and inspiration who trained Rao as a singer..

Legendary singer, Naina Devi  was born into a Bengali Brahmo Samaj reformist family in the early years of the twentieth century. A childhood replete with music, dance, theatre and social reform gave way to the grandeur and seclusion of the life of a young queen of the Kapurthala royal family of Punjab. Despite seventeen  years of silence necess
itated by the norms of a royal household, she came back to music and a glorious career as a singer, arts-administrator, teacher and patron,  after the tragic death of her husband.

Heart to Heart, traces Naina Devi’s incredible story as she told it to her foremost disciple, Vidya Rao. Naina Devi’s  story traces the changes in the world of Indian classical music, women singers and women in Indian society  over the last century.  Learning seena-ba-seena, heart to heart, in a seamless blend of music and life-lessons,  Rao imbibed not
just a knowledge of her chosen form, Thumri,  but a sense of the very being of her teacher.

The evocative  narrative weaves back and forth between history  and memory,  past and present, and between Naina Devi’s voice and Rao’s own, to illuminate the power  and beauty of music, the lives of these two women and of many others,  of courage, pain, joy and love, and  of the deep bond between Rao and her beloved Guru.

Here’s a detailed review published here (more…)

By Raza Rumi

When the shrine of Baba Farid Ganj Shakar in Pakpattan was attacked last year, the real significance of the incident was not fully understood. Baba Farid is a leading figure of the Chishti Sufi order that has played a major role in developing Sufi establishments ( khanqahs) as inclusive and multifaith spaces of spirituality and meditation in medieval India.

Tanvir Anjum’s book is an elaborate treatise on how the Chishti Sufis could create and sustain those spaces, sometimes in the face of opposition and suppression from the state.

It is rare to find Pakistani scholars or writers exploring Sufism, which is central to belief systems and worship practices in Pakistan and is perhaps a socially-embedded bulwark against exclusivist ideologies that have flourished of late due to state patronage. Anjum’s work, therefore, is a welcome addition to the meagre body of Pakistani writings on Sufism. The book is based on her doctoral dissertation and, therefore, its tone and structure are academic. (more…)

By Raza Rumi

Anatol Lieven’s new book is not just a contemporary account of Pakistan, it also attempts to present an alternative narrative of what is often referred to as the worlds most dangerous country. Lieven worked in Pakistan for several years for The Times and is currently a professor of international relations and terrorism at Kings College, London. His approach, therefore, is a curious mix of hard- core research and journalistic reporting. The two intersect, disagree and at times oppose each other.

After exhaustive research and speaking to scores of Pakistanis, Lieven is quite clear that Pakistan does not deserve the oft-repeated verdict of being a failed state or the prediction that it is going to is integrate. He focuses on Pakistans robust society fissiparous and troubled as it is practising the art of resilience as an article of faith.

This is why the author, like many others, is struck by the inherent strengths of Pakistan, which are an antidote to its failures. Lieven also debunks several myths, especially those related to the scary image of Pakistans military-intelligence complex. This is, perhaps, a point of departure in his narrative that makes his work a little unpalatable for hard-nosed Pakistan bashers. Some, in fact, have criticised him for what they see as veiled admiration for Pakistans armed forces. (more…)

By Raza Rumi

The first half of the 20th century witnessed a transformation in Urdu literature with the emergence of the short story as the choicest medium of literary expression, reflecting the shifting contours of Indian society. Urdu was not a communal language then. The Muslims and Hindus of pre-1947 India preferred the language for its subtlety, richness and aesthetic qualities. This was the age of Prem Chand’s realism, the romanticism of Rajinder Singh Bedi and Krishna Chandar, the irony and brutal directness of Ismat Chughtai and Manto and of course the prescient visions of Ghulam Abbas.

“…the pasture of stupidity is unwholesome for mankind.”– Ibn-e-Khaldun

 Pakistan’s ‘crisis’ of governance has now acquired an axiomatic status. Local and foreign experts have been grappling with the precise nature of how the Pakistani state has transformed over the past decades. In particular, the state’s inability to turn into a citizen-responsive, accountable entity is a major tragedy of our times. Ilhan Niaz’s award-winning book, The Culture of Power and Governance of Pakistan 1947-2008, is a significant narrative on the philosophical and historical dimensions of governance or lack thereof. Perhaps the most impressive part of his endeavor is the fact that his is an indigenous analysis, emanating very much from a Pakistani scholar who has chosen to rough it out in a public sector university.

The book uses a wide range of declassified records available at the National Documentation Centre in Islamabad and, therefore, posits a fresh perspective on both the political history of Pakistan as well as how the culture of exercising power in South Asia permeated the insular, mock-Weberian state created by the British. In this respect, it is worthwhile to say that Niaz has also ventured into exploring the marked regression of Pakistan’s ruling elites – something that few studies before his have attempted. As he puts it, the state apparatus has over time become arbitrary, proprietary and delusional. (more…)

A book review published in DAWN mentions my piece on Mehdi Hasan:

… Raza Rumi’s piece ‘The Melodious Age of Mehdi Hasan’ discusses in reasonable detail the socio-cultural impact that Khan Sahib has had on Pakistani society.

Beginning from his birth (in the town of Luna in district Jhunjhunu, Rajasthan in 1927) he touches upon the early struggling phase of his life and then, in lyrical prose, talks about the society that he is a part of and how music in particular and the arts in general are looked upon.

He writes, ‘Our greatest artists, singers, poets and intellectuals have suffered at the hands of a conformist society and state captured by puritans especially since the late ’70s.

It is never too late for the intelligentsia of this country to mobilise public pressure on the state machinery so that it learns to respect cultural diversity and the imperative to nurture a creative, healthy and civilised society.’

Showering compliments on Khan Sahib, Raza Rumi rounds off his article by claiming, ‘Miyan Tansen must be proud of his new age prodigy.’
(more…)

We too will learn, like the ordinary citizen’s of Hitler’s Germany, to recognize revulsion in the gaze of our fellow human beings. We too will find ourselves unable to look our own children in the eye, for the shame of what we did and didn’t do. For the shame of what we allowed to happen. (Page: 21)

At a time when opportunism is everything, when hope seems lost, when everything boil down to a cynical business deal, we must find the courage to dream. To reclaim romance. The romance of believing in justice, in freedom, and in dignity. (Page: 40)

The NGO-ization of civil society initiative is taking us in exactly the opposite direction. It’s depoliticizing us. Making us dependent on aid and handouts. We need to re-imagine the meaning of civil disobedience. (Page: 41)

Fascism will thrive for a short while and then self-annihilate because of its inherent stupidity. (Page: 17)

Book Review

The War that Wasn’t: The Sufi and the Sultan By Fatima Hussain Publisher: Manoharlal Publishers Pvt. Ltd, New Delhi Pages: 245

Last year I had a chance to meet Dr Fatima Hussain, a thoughtful and inspiring academic based in Delhi. We had all congregated in Agra for the SAARC writers’ summit and Hussain’s facility with subcontinental history, especially Sufism, was most impressive. This is when I found out that her book had just been published and my curiosity to read the book knew no bounds. The title of this book was even more intriguing: “The War that Wasn’t: The Sufi and the Sultan”. Essentially the title summarises a millennium of the societal resistance offered by the Sufis against state power as well as the embedded social relations in the Indian subcontinent.

Hussain teaches History at Delhi University and was educated at Lady Shri Ram College and Jawaharlal Nehru University, New Delhi. She has also authored The Palestine Question: A Historical Perspective (2003) and several scholarly articles. An interesting volume that she edited – Sufism and Bhakti Movement: Contemporary Relevance (2008) – perhaps explains the relative fluency of her familiarity with the subject. After her marriage to Pakistan’s leading Punjabi writer and activist, Fakhar Zaman, she is now delving into documenting the history, culture and morphology of Lahore. (more…)

Who says Pakistani literature was a relic of the past? If anything, Pakistani authors have a global audience today, and our writers are now the greatest harbingers of Pakistan’s complexity and nuance in a way that the embedded media can scarcely fathom.

The first literary festival took off in our cosmopolitan melting pot, Karachi, in March. The Oxford University Press’ dynamic head Ameena Saiyid, and the British Council, together organised this event. Asif Farrukhi, the premier litterateur of the metropolis was central to the festival. Farrukhi’s comprehensive command of Urdu and English literary currents, and the stature which he has earned with his hard work, ensured that we were all set for a fabulous gala.

Earlier, the festival faced the usual hurdles: the Indians were issued visas rather late in the day and my friend Sadia Dehlvi was denied a visa at the last minute, despite earnest efforts by the organisers. The iron curtain was rigidly in place. But the other regional and international delegates arrived as planned. The last minute finalisation of the schedule meant that due notice could not be given to many participants. However, the OUP team, especially Raheela Baqai, were adept at getting things done. Saiyid herself used Facebook to advertise the event. She’s obviously keeping up with technology and its changing frontiers.

We arrived just in time for the launch ceremony that was held at the British Consulate. It was quite a journey from the Carlton Hotel to old-world Clifton – a mini-bus that dazzled with literary icons of our time: Iftikhar Arif, Intezar Hussain, Masood Ash’ar and Shamsur Rehman Farooqi from the world of Urdu. The front seats were occupied by the petite and resplendent Bapsi Sidhwa, the contemplative Zulfiqar Ghose and the younger British Pakistani writer Sarfaraz Manzoor, whose book ‘Greetings From Bury Park’ has created waves across the English reading (more…)

My friend Rakhshanda Jalil is singlemindedly pursuing her interests and dreams. Her latest book of translation has attracted attention from critics as well as high profile media persons such as Khushwant Singh. In his latest column he talks about RJ and her new book.

Bihar in translation
One of my lasting regrets is that when I migrated from Pakistan to India in August 1947, I did not learn to read and write Hindi. It was not entirely my fault as I got postings abroad and even lost much of the Urdu I knew. I was about to pick it up again in my years in Bombay. I envy those who are equally at ease with Hindi, Urdu and English.
One of them is Rakshanda Jalil of Jamia Millia University. She has written extensively about Delhi in English and translated Hindi novels. Though she is equally adept in Urdu, she does not write it, but uses it as her source material.
Rakshanda Jalil’s latest offering is translations of 10 short stories by Phaneshwar Nath Renu — Panchlight and other stories (Orient Black Swan). I had heard a great deal about Renu but was never able to lay my hands on any of his writing in English translation. I was aware that Renu (1921-77) was a Bihari from a tiny hamlet in Purnea district. He was deeply involved in the freedom movement and was jailed many times. His story Maraa Gayaa Gulfam was made into a highly popular feature film. Renu’s stories have the earthy fragrance of the soil of Bihar. (more…)

Raza Rumi relives the enchantment of the dastans (published in The Friday Times)

Musharraf Ali Farooqi and the Urdu Project have revived a tradition that was fading in the age of instant communication, sms lingo and a dying reading culture. When I started reading the book, I could not help remember the day when my Uncle, Zaheer Ahmad Bhutta, a man of letters and book-lover handed over a set of Tilism-e-Hoshruba to me in my early childhood. I distinctly remember the summer when I devoured all the abridged versions, feeling thirsty for more. So I read them again. As a young man I dared to read the originals and could not help being pleased with myself. Tilism and its magical kingdom remains a part of me, and of many others of my generation who grew up on its diet of bravery, magic, lust and a peculiar aesthetic.

Tilism is a wonderful product of our composite Indo-Muslim culture that took centuries to evolve. This is why it defies the clergy’s diktat and religious bigotry, and its characters are a mix of all that the Indian context offered to outsiders such as Arabs and Central Asians. It is a larger than life metaphor for our past that has been lost now. Perhaps forever.

Hoshruba, Book One: The Land and the Tilism begins by telling us how Amir Hamza and his armies have chased the giant Laqa to the dominions of King Suleiman Amber-Hair on Mount Agate. While out hunting nearby, Hamza’s son, Prince Badiuz Zaman, follows a unique fawn and enters the land of Hoshruba. (more…)

Before his death in July 2009, KK Aziz had accomplished one mission that he had set for himself, i.e. to write about the Lahore Coffee House, the glorious nursery of ideas. Luckily, despite his failing health, Aziz finished a draft that was meant to be a shining part of his autobiographical kaleidoscope. “The Coffee House of Lahore: A Memoir, 1942-57” was published in 2008 and Aziz, in the opening chapters, tells us about the genesis of his passion to document this memorable phase of our contemporary history.

Whenever an intellectual, cultural and literary history of Lahore (or the Punjab and Pakistan) is written, the diverse circles which met and discoursed in the Coffee House will have to be described in detail and the ever-widening waves of their influence recorded. As nothing has been written so far on the subject and I don’t see anything in the offing, I give below a list of the important persons who I can recall.

Quite diligently, Aziz sets forth to list two hundred and six names that would include a wide array of thinkers, scholars, artists, writers and even some CSPs who obviously changed their life course despite the influence of their Coffee House days. For those who want to know about Lahore and its not-so-old diversity, KK Aziz’s memoir is a must-read. It is (more…)

Published in The Friday Times last week:

A new collection of translated short stories reminds us how Urdu literature needs to connect with a global audience, says Raza Rumi

As I hold the recently published “The Oxford Book of short stories” in my hands, I cannot help bemoan the fact that Urdu literature has been almost invisible from the arena of global literature. Admittedly, translation is difficult; the tediousness of translation daunts many a brave heart. Having said that, there have been a handful of remarkable translators such as Khalid Hassan, Alamgir Hashmi, CM Naim, Aamer Hussain, Umer Memon and Rakhshanda Jalil, to name a few. But a wide corpus of Urdu literature lies forlorn and hidden from global readership, which alas is dominated by English language readers. For this very reason, Amina Azfar has done a remarkable job of compiling a collection of Urdu short stories. Her earlier translations have been competent and quite often lyrical. For instance, Akhtar Hussain Raipuri’s Gard-e-Rahh (the dust of the road) and Sajjad Zaheer’s Roshnai ( the Light ) are noteworthy for their tone.

The book has a nice little foreword by Aamer Hussain, who is correct in stating that Azfar’s collection provides a fine introduction to the genre of the Urdu short story. The stories selected encompass a range of various experiments undertaken by the great Urdu writers. The stark realism of Munshi Premchand is counterpoised by Khaleda Hussain’s two short stories that are allegorical and somewhat postmodern in their sensibility. Iftikhar Arif, the renowned poet-bureaucrat, in his formal introduction quotes Dr Jamil Jalibi, terming the selected short stories “in the category of the very best”. (more…)