
colonial storytellers, the book twists the narrative in a manner that brings us closer to the origins of our cultural sensibilities. The tales are sheer magic. The romance, the intrigue, the bravery and the integrated nature of human existence where it finds communication even with birds and trees comes to a full life throughout the narrative.
Dr. Visho Sharma
In keeping with the promise made by me while writing the mail on Shri Dushyant Kumar, I am here again with a piece of information on the legendary singer Shrimati Shamshad Begum. It was decades ago that the gifted crooner decided to call it a day and lead a private life away from the glitter of the film world. She has seldom been heard of as a person ever since, though her songs continue to be an important part of the Hindi film music lexicon even today. It was, however, a big (and a very pleasant one, too) surprise to find a very well documented article on the media shy artiste in the September issue of the Hindi magazine Ahaa! Zindagi.
The writer of the rare article Shri Rajeev Shrivastav met the affable singer in her Mumbai home and recorded for the posterity many hitherto unknown facets of the life of one of our most admired, and yet least covered, female playback singers. It is a matter of great satisfaction that she was conferred Padma Bhusahn. This gesture, though too late (more…)
Dr. Visho Sharma has been kind enough to send me this guest post that pays tribute to a legendary poet of the subcontinent who was committed to his principles and ideology throughout his life. RR
Jo bejaan khilonon se bahel jaati haiy
Tapti saanson ki haraarat se pighul jaati haiy
Paaon jis raah mein rakhti hai phisul jaati haiy
Bunkey seemaab hur ek zurf mein dhul jaati haiy
Zindagi jihad main hay sabar kay qabu main nahin.
Jannat ek aur hay jo murd kay pahloo main naheen.
Uski azaad ravish pur bhi machalna hay tujhey
Zeest key aahni saanchey main dhulna hai tujhey
Uth meri jaan mere saath hi chalna hai tujhey.”
These verses are from the Urdu poem “Aurat” (Woman) written by the famous Urdu poet from India , Kaifi Azmi. What is remarkable is that Kaifi wrote this poem in the 1940s before the independence of India . In that era when the Indian society was very traditional and very much a man’s world, such thoughts were almost unheard of. But then Kaifi was always decades ahead of his time. (more…)
This is a pertinent post on my blog-zine Pak Tea House. Readers should take a closer look.
It is therefore quite clear that what is purported to be some sort of a defence against blasphemy has become a vehicle of oppression and persecution of minorities in Pakistan. These laws are the most draconian in the world and have no justification even in Islamic jurisprudence. It is time- as one Pakistani MNA said- to repeal them for they have done more harm to Pakistan, Islam and humanity then good. Indeed they haven’t done any good but have only reinforced negative stereotypes about Islam
Rumi on Eid
Ramadan came, but Bairam is with us.
The lock came, but the key is with us.
Mouth is closed. Eyes are opened.
That brilliance that the eyes see is with us. (more…)
This is quite an interesting account. Am posting it for the readers – Eid Mubarak
[youtube=http://www.youtube.com/watch?v=kfAGnxKfwOg] (more…)
Another fine poem by Rumi – translation followed by the original
In the world there are invisible ladders,
leading step by step to the summit of heaven.
There is a different ladder for every group,
a different heaven for every path.
Each one is ignorant of the other’s condition in this wide kingdom which
has no end or beginning. (more…)
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