Jahane Rumi In search of the unsearchable: O, my soul! where would you find your house?

20Mar/102

Iqbal Bano sings Nizami Ganjavi (Persian Sufi poet, 1141-1209)

Mara ba ghamza kusht o qaza ra bahana sakht
Khud sooy e ma na deed o haya ra bahana sakht

20Mar/100

The golden voice of Asha Bhosle (2008 concert in LA, USA)

NPR has featured Asha Bhosle (12,000 songs and the greatest of Bollywood divas) and her fabulous voice - this is what the text has to say (full article here and recording at Los Angeles on Ashaji's 75th birthday)

Asha sang naughty songs, and she had somewhat of a naughty personality, and she had a personal life that also had some naughtiness in it — the fact that she had run away from home and divorces and marriage and all of that."

Bhosle made the vamp her specialty, and "Dum Maro Dum" is one of her most famous songs in that persona. It was written by composer R.D. Burman, who not only worked extensively with Asha Bhosle, but also married her. Burman took advantage of Bhosle's vocal versatility and created songs for her that brought Western musical influences to Bollywood — combining, say, congas with tablas, or finding some of the grooviest psychedelic rock sounds. If anything cemented her reputation as a bad girl or turned people on, it was this song, writer Lavanya Shah says.

16Mar/100

Emperor Jahangir receiving his two sons, c1605-06

Succession intrigues:Emperor Jahangir receiving his two sons; an album painting in gouache on paper, c1605-06.

Read the related story here: Power, then as now, brings its own price. Neither life nor death was kind to this unfortunate son of Jehangir. AROON RAMAN recounts one of the most tragic yet inspiring stories to come out of Mughal India…

15Mar/101

I am a child of love

I profess the religion of love,
Love is my religion and my faith.
My mother is love
My father is love
My prophet is love
My God is love
I am a child of love
I have come only to speak of love

- Jalaluddin Rumi

14Mar/102

A red card for the Secular Indian Muslim

I am posting a brilliant piece (published by Indian Express) by my dear friend Rakhshanda Jalil - she is a bold yet sensitive writer based in Delhi. All power to her pen.

The controversy regarding the conferment of Qatari nationality upon M.F. Husain — and his acceptance of it — has given us the opportunity to revisit an old but neglected debate. The debate on being an Indian Muslim or a Muslim Indian is old hat; but the one concerning the “secular Indian Muslim” — the SIM? — needs our urgent attention. Those who doubt the existence of such a breed and view it as a contradiction in terms would do well to remember the legacy of a long line of distinguished people, from Mirza Ghalib, Hakim Ajmal Khan, Dr M.A. Ansari, Maulana Azad, Dr Zakir Husain to M.F. Husain, to name just a few. Then there are the nameless millions — doctors, lawyers, writers, journalists, teachers, wage earners who are living proof of Indian secularism. Husain is simply another link in this ganga-jamuni chain. He needs to neither establish his credentials nor protest his innocence; his work speaks for him.
Having established the credentials of this breed, let us set out the contours of its present dilemma: one, it exists in sufficiently large numbers to have escaped our notice yet, oddly enough, has never managed to establish a public profile for itself; nor has it, given its numbers, translated into a sufficiently large, and therefore woo-able, vote bank. Two, despite its largish presence (I imagine roughly half the population of Muslims in India), the breed is under severe threat.
One is not interested in establishing the presence of the SIM, for that one takes as a given. It has always existed in the weft of the Indian tapestry as the warp that runs alongside. In fact, what ought to concern us is the threat to its existence. That this threat is
13Mar/101

Abr mi barad-o man shovm-e az yar-e judaa (The cloud weeps…)

Amir Khusrau's lofty couplet

Abr mi barad-o man shovm-e az yar-e judaa
Choon kunam dil becheneen roz zedildar judaa.
Abr baraan wa man-o yar satadah ba-widaa
Man judaa girya kunaan, abr judaa, yaar judaa

The cloud weeps, and I become separated from my friend -
How can I separate my heart from my heart's friend on such a day.
The cloud weeping, and I and the friend standing, bidding farewell -
I weeping separately, the clouds separately, the friend separately..

(trans. A. Schimmel)

Also see this

13Mar/101

Karachi Literary Festival

Oxford University Press and the British Council are holding a literary festival - first of its kind.

The programme can be viewed here. KLF programme

I am off to Karachi next weekend to attend this moot.

11Mar/101

the two insomnias

“When I am with you, we stay up all night.
When you're not here, I can't go to sleep.
Praise God for those two insomnias!
And the difference between them.”
* Jalal ad-Din Rumi
10Mar/101

Nusrat Fateh Ali Khan – Man Kunto Maula

9Mar/100

Rumi – Guest House

This being human is a guest house
Every morning a new arrival.
A joy, a depression, a meanness,
some momentary awareness comes
as an unexpected visitor.
Welcome and entertain them
all!
Even if they are a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still treat each guest honorably.
He may be clearing you out for some new delight.
The dark thought, the shame, the malice,
meet them at the door laughing,
and invite them in.
Be grateful for whoever comes,
because each has been sent
as a guide from beyond.
8Mar/100

Nusrat Fateh Ali Khan and Peter Gabriel- Signal to noise

Peter Gabriel feats Ustad Nusrat Fateh Ali Khan in Signal to Nois

7Mar/100

Pak Nobel laureate’s Ahmedi status hurdle for documentary

I was quoted in this story - a slight spin but an important point nevertheless..
Wednesday, March 03, Islamabad: Two young Pakistanis are battling all odds to make the first-ever documentary on the country's only Nobel laureate Abdus Salam though the going has not been easy so far because he was an Ahmedi.
6Mar/100

Old Nusrat recordings dressed up in dub reggae beats

Hear old Nusrat recordings dressed up in dub reggae beats by producer Gaudi - courtesy NPR

4Mar/100

Allah Hoo by Nusrat Fateh Ali Khan

"Allah Hoo" from the Monsoon Wedding soundtrack (courtesy NPR)

3Mar/101

Lovers have nothing to do with existence

The lover's food is the love of the bread;
no bread need be at hand:
no one who is sincere in his love is a slave to existence.
Lovers have nothing to do with existence;
lovers have the interest without the capital.
Without wings they fly around the world;
without hands they carry the polo ball from the field.
That dervish who caught the scent of Reality
used to weave baskets even though his hands had been cut off.
Lovers have pitched their tents in nonexistence;
they are of one quality and one essence, as nonexistence is.
~~~~~~~~~~~~~~~~~~~~~~
2Mar/102

Support the documentary on Dr Abdus Salam

I had the pleasure of meeting these young men - Zakir and Omar - who are devoted to the life Dr Salam and have been working against all odds. Theirs is a small but historic project and they need our support. I am posting an email by the producers that updates us about this project. Please pass the word around and contribute to this important project.

Thank you for your support over the past few years. Thanks to contributions we received in 2009, we began filming in Pakistan early this year. To view a few behind the scenes photos please visit our press page at www.abdussalamdocufilm.com/press.php

We are still far away from our target of 500,000 USD, an amount needed to support on-location filming in various countries, the purchase of archival footage, and research, production, marketing and distribution. As a tribute to Salam, we hope to use any proceeds from the final docufilm to advance science education in developing countries.

1Mar/107

In memoriam – Asim Butt (1978-2010)

He was a man, take him for all in all,

I shall not look upon his like again

(Hamlet, Shakespeare)

It is only when Asim has gone that one takes measure of the legacy he has left for his troubled and torn country. A decade long association was lost on the fateful day of January when we heard of his untimely exit from this world. For hours, I sat in my office, numb. Not that Asim’s suicide was a surprise, for he had warned us all many times of this inevitable dénouement to his dramatic life.

Five years ago, when I wrote a piece on the Pakistani poet Mustafa Zaidi and the romance with nurturing a death wish, Asim wrote to me and said that I had no clue what this was all about. His words were: “loved and was deeply moved by your piece on Zaidi... saw so much of myself in his life story, hoping I don’t die unsung and on the fringes, and wondering why you of all people would have a death wish.” Asim had suffered and struggled with his inner demons with an intensity that most of us will never appreciate. This was the first time that I knew about the seriousness of his other side: a dialectical dark side to his otherwise cheerful, loving and warm persona. Asim cannot be mourned; he can only be celebrated. He would have hated the melodramatic statements that I am inclined to write in this remembrance.

Two of my dearest friends were close to Asim in a way that is difficult to understand. Nearly a decade ago I met Asim at Ali Dayan Hasan’s home in Karachi. I was passing through on one of my occupational breaks from my assignment in Kosovo. Ali had returned from England and joined the monthly Herald and was piecing his life together. I met this lean and quiet young man who had big, bright eyes and a unique smile. We did not talk much except for a small argument over something, perhaps about a book, but I could not help being thoroughly impressed with his viewpoint. Since then I have had a series of exchanges, verbal and electronic, in which Asim was always animated, off-beat and extremely gifted with words and ideas. No wonder his art work and many of his writings are a formidable legacy for us all.

Born into a regular upper middle class family, Asim Butt was always an exception. He was different, as he would tell me. Rejecting convention, tradition and the confines of societal expectations was therefore something that started way too early with Asim. To be fair, he did pursue a path chosen for him. He attended the Li Po Chun United World College where his gift for painting became polished, and at some level he had chartered his future course. There was some meandering: a degree in the first batch of B.Sc. in Social Sciences earned from the Lahore University of Management Sciences; and later an unfinished PhD in History from the University of California, Davis. He returned to Pakistan, wrote for the Herald and other publications, and finally enrolled himself at the Indus Valley School of Art and Architecture.Not surprisingly, Butt graduated with distinction in 2006.

1Mar/100

Kaifi & I

Shabana Azmi reads from her mother Shaukat Kaifi’s memoirs at the Jaipur literary festival. The segment was introduced by Urvashi Butalia
Presented by DNA

Jaipur Literature Festival 2010 from Dreamcast India on Vimeo.

28Feb/100

Magic moments – incredible photos on mysticism

Today, a magical photographer and a brave journalist Iason Athanasiadis, wrote to me after reading some of my comments in NYT. This is such a small world after all. Iason has also lived in Pakistan and some of his beautiful pictures can be found here (I am posting an image from Pakistan below from his collection). What a treasure it is. I am so grateful that Iason got in touch..

Here is another one from Iran - absolutely stunning...

28Feb/100

Writing fiction

I loved Guardian's feature on Ten rules for writing fiction.

Elmore Leonard: Using adverbs is a mortal sin

1 Never open a book with weather. If it's only to create atmosphere, and not a character's reaction to the weather, you don't want to go on too long. The reader is apt to leaf ahead look ing for people. There are exceptions. If you happen to be Barry Lopez, who has more ways than an Eskimo to describe ice and snow in his book Arctic Dreams, you can do all the weather reporting you want.

2 Avoid prologues: they can be annoying, especially a prologue ­following an introduction that comes after a foreword. But these are ordinarily found in non-fiction. A prologue in a novel is backstory, and you can drop it in anywhere you want. There is a prologue in John Steinbeck's Sweet Thursday, but it's OK because a character in the book makes the point of what my rules are all about. He says: "I like a lot of talk in a book and I don't like to have nobody tell me what the guy that's talking looks like. I want to figure out what he looks like from the way he talks."

3 Never use a verb other than "said" to carry dialogue. The line of dialogue belongs to the character; the verb is the writer sticking his nose in. But "said" is far less intrusive than "grumbled", "gasped", "cautioned", "lied". I once noticed Mary McCarthy ending a line of dialogue with "she asseverated" and had to stop reading and go to the dictionary.

More here

27Feb/104

On Nietzsche

I am happy to publish this guest post sent from New Zealand.. (RR)

“Let us honour if we can, the vertical man,

Though we value none but the horizontal one.” – Auden

“Be sorry for the extraordinary man that he had to live in such miserable age that he had to exert himself polemically all the times.”- Goethe

Nietzsche went hopelessly insane at the age of forty five in January 1889 and died as such eleven years later on 25th August 1900 in Weimer. Ironically the king Friedrich Wilhelm IV of Prussia, on whose birthday Nietzsche was born and christened after him, became mad a few years later and so did Nietzsche’s father. Yet this man, Nietzsche, has inspired the greatest minds of twentieth century more than any other thinkers of recent times. Thomas Mann, Herman Hess, Rilke, Andre Gide, Sartre, Camus, G.B.Shaw,  W.B.Yeats,O’Neil, Martin Bubber and Freud have all acknowledged their debts to the inspirational vision of Nietzsche. In Mohammad Iqbal’s poetry one can clearly realize the strong influence of Nietzsche’s philosophy before Iqbal’s lapse into politico-religious whirlpool.

Friedrich Nietzsche was born in Rocker, in the Prussian province of Saxony, on 15th October,1844. His father Ludwig Nietzsche was a Lutheran minister.

27Feb/102

I become like a pen

Ghazal 2530 from the Diwan-e Shams, in a version by Coleman Barks, in translation by Annemarie Schimmel, and in translation by A.J. Arberry:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I become a pen in the Friend's hand,
tonight writing "say," tomorrow "ray."
He trims the pen for fine calligraphy.
The pen says, "I am here, but who am I?"
He blackens the pen's face.
He wipes it in his hair. He holds it upside down.
Now he begins to use it.
On one sheet he cancels everything.
On another he adds a dangerous conjunction.
The writing depends entirely on the scribe,
who knows how to split the head of the pen.
Galen knows what a patient needs.
The pen cannot speak for itself, or know what
to disapprove of in its own nature.
Whether I say "pen" or "flag", it is with this wonderful
conscious unconsciousness: the mind unable to include
its own description, composing blindly.
Held in a hand, yet free.
-- Version by Coleman Barks
(Based on the translation by A.J. Arberry)
"These Branching Moments"
Copper Beech Press, 1988
26Feb/104

Mystical Form of Islam Suits Sufis in Pakistan

A New York Times' piece where I was quoted.

By SABRINA TAVERNISE- LAHORE, Pakistan — For those who think Pakistan is all hard-liners, all the time, three activities at an annual festival here may come as a surprise.
Thousands of Muslim worshipers paid tribute to the patron saint of this eastern Pakistani city this month by dancing, drumming and smoking pot.
It is not an image one ordinarily associates with Pakistan, a country whose tormented western border region dominates the news. But it is an important part of how Islam is practiced here, a tradition that goes back a thousand years to Islam’s roots in South Asia.
26Feb/100

This thirst in our souls

No sound of clapping comes from only one hand.
The thirsty man is moaning, "O delicious water!"
The water is calling, "Where is the one who will drink me?"
This thirst in our souls is the magnetism of the Water:
We are Its, and It is ours.

~~~~~~~~~~~~~~~~~~~~~~

Hich bâng-e kaff zadan na-âyad beh dar
az yeki dast to bi dasti degar
Teshneh mi nâlad keh "Ay âb-e govâr"
âb ham nâlad keh "Ku ân âb khvâr"
Jazb-e âbast in `atash dar jân-e mâ
mâ az ân-e U va U ham ân-e mâ

-- Mathnawi III: 4397-4399
Version by Camille and Kabir Helminski
"Rumi: Jewels of Remembrance"
Threshold Books, 1996
Persian transliteration courtesy of Yahyá Monastra

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25Feb/100

His form has passed away and he has become a mirror (Rumi)

Sunlight has recently offered two versions/translations of Rumi's Mathnawi story of the dervish Bayazid Bestami
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BESTAMI
That magnificent dervish, Bayazid Bestami,
came to his disciples and said,
"I am God."
It was night, and he was drunk with his ecstasy.
25Feb/103

Pakistan: democratic governance is the only way forward

(Also published by The News) Given the average shelf life of any civilian government, it is almost miraculous that the incumbent government has survived and there are signs that its removal is not immediate. The longevity of civilian order has less to do with the inherent strengths of its style of governance or delivery of public goods that it had promised in its manifesto. The survival of this government is an outcome of the lack of options for the establishment as well as its international allies, notably the Western powers. Leaving the conspiracy theories and the excessive over-reliance of the analysts on the American factor, we can safely argue that the military establishment of Pakistan and its intelligence agencies has found themselves in a unique situation since the assumption of the presidency by Asif Ali Zardari.

The truth is that Pakistan People’s Party, an anathema to the civil-military bureaucracy, has assumed the most important and powerful offices that a civilian government can aspire for. Two years ago, when the Prime Minister Yousaf Raza Gillani was

23Feb/100

Farida Khanum Singing Raga Kamod – Manna for the Soul

I am cross-posting my dear friend Fawad's excellent post from here. The links here are worth visiting and the music is fabulous for those who have the ear for extraordinary melodies from Indo-Pakistan. Raza

The internet is a remarkable treasure trove and I continue to marvel at the doors of culture, information and connectivity that it has opened. My recent discovery is a wonderful collection of Hindustani Classical music on the file sharing site esnips. I have been spending hours listening to pieces I love and discovering unknown treasures of the sub-continent's greatest vocalists.

Here's my selection of the day; Farida Khanum singing Raga Kamod. This is unfortunately the kind of performance by the the sister of Mukhtar Begum and a disciple of Ustad Ashiq Ali Khan (son of the founder of the Patiala Gharana Ustad Fateh Ali Khan, one half of the legendary duo Aliya Fattu) that Pakistani audiences have witnessed only rarely. In a country with almost no appetite for classical music she shifted her focus to lighter forms of singing decades ago.

22Feb/100

A picture that sums up a long story

Pakistan Taliban commander Hakimullah Mehsud is seen with his arm around Taliban chief Baitullah Mehsud during a news conference in South Waziristan (read more here courtesy this site)

21Feb/100

Sources of nourishment

The heart eats a particular food from every companion;
the heart receives a particular nourishment
from every single piece of knowledge.
~~~~~~~~~~~~~~~~~~~~~~
Del ze har yâri ghezâyi mi khvord
del ze har `elmi safâyi mi khvord
-- Mathnawi II: 1089
Version by Camille and Kabir Helminski
"Rumi: Daylight"
Threshold Books, 1994
Persian transliteration courtesy of Yahyá Monastra
20Feb/100

Ask us about the lion of God

This caravan is not bringing our baggage -- it has

none of the fire of our Friend.

Though the trees have all turned green, they

have caught no scent of our spring.

Your spirit may be a rosegarden, but its heart

has not been wounded by our thorn.

Your heart may be an ocean of realities, but its

boiling does not compare with that of our shore.

Although the mountains are very steady -- by

God, they do not have our steadiness.

The spirit drunk with the morning wine has not

even caught a scent of our winesickness.

Venus herself, the minstrel of heaven, has not

the capacity for our work.

Ask us about the lion of God -- every lion has

not our backbone.

Show not Shams-I Tabrizi's coin to him who

has not our fineness!

-- Ghazal (Ode) 695

Translation by William C. Chittick

"The Sufi Path of Love"

SUNY Press, Albany, 1983